Hotel Hotel - A hotel



Multi-purpose commercial spaces can sometimes fall on the bland side. In a bid to appeal to everyone (or perhaps more accurately, not to offend anyone) few risks are taken by the architect.

Not so at the Nishi Commercial development in the Australian capital of Canberra. Architects March Studio let their creativity out in the grand stair design of this impressive lobby for Hotel Hotel.

As guests walk in, the wooden slat design has a distinct sense of movement at some angles, and looks like it could be frozen in time at others.

The use of light - whether it's indirect from the next room, from the built-in luminaires, or streaming through from outside - only adds to this effect.

In complete contrast the hectic nature of the atrium, other parts of Hotel Hotel are peaceful, though still use the same timber aesthetic.

This time, the wooden slats are cut and spaced to the millimetre, giving a calmer, less anarchic atmosphere - think a Swedish steam room without so many naked people.

HARBOURING AFFECTION

Renderings: Charles Wallon, Airstudio.

AZC Architects combine childish play with artistic functionality in these rendering for an arts pavilion in Hong Kong. Located in West Kowloon, the proposal overlooks Victoria Harbour and is designed to primarily be an exhibition space for art programmes until the neighbouring M+ Museum opens in 2017.

The design team explained: “our project envisions the Arts Pavilion as a place combining leisure and art, in creating a popular spot welcoming to all. We designed a space for learning, relaxation, and discussion; an architectural and cultural icon in the heart of the park.”

The space is created to be understated; the strength of the design is not to overpower any exhibition that is showing inside. To this purpose, floor-length glass windows encompass the whole building, and a perforated metal structure creates a broad and open atmosphere, allowing a large amount of daylight to stream in.

Circling the building is a merry-go-round, which climbs and falls on a waved platform, giving children a complete and inimitable experience of a famously stunning harbour.

www.airstudio.fr

THE BURNT CHAPEL

Photography: Pietro Savorelli.

Places of worship can often, though certainly not always, be places of dull architectural repetitiveness. Not so in Wachendorf, Germany, where 2009 Pritzker Prize Laureate Peter Zumthor created this interestingly designed, and even more interestingly constructed, chapel.

Bruder Klaus Field Chapel was commissioned and largely constructed by Hermann-Josef and Trudel Scheidtweiler to commemorate 15th Century Saint Nicholas von Flüe - who goes by this other alias.

Its construction in 2007 was a trial of patience and endeavour. 112 tree trunks were stood together to form a wigwam-esque structure. Concrete was then poured and compacted around the exterior, layer after layer, over 24 days.

Once the concrete was firmly set, a fire was lit inside the chapel to remove the wooden structure, leaving a rugged, ridged concrete interior.

Lead was melted on site and ladled carefully to form the chapel floor.

What remains is a humble interior in pious asceticism and adorned with little more than a simple and similarly rough bronze statue by late sculptor Hans Josephsohn. The exterior is angular, bright, and rigid, contrasting with the interior’s tear-shaped and curved floor-plan.

THE WOODEN RETREAT

Wooden Waves. Photography: Irene Iskandar.

The 6 Degrees Café in Indonesia is conceptualised around the popular theory that every person on earth is connected by no more than six other individuals. Architecture and design consultants OOZN Design had this sociality to toy with and work into a design brief that called for a comfortable and memorable experience.

The coffee shop in the Mall @ Alam Sutera is immediately noticeable by its use of vertical wooden panels, like stretching stalactites on the main wall and ceiling.

“We created an undulating skin of timber slats, equally spaced apart at 150mm intervals, which covers the entire wall and ceiling to break the monotony of spatial heights,” explain the designers.

“Varying depth of the fins not only creates a strong visual impact, they also hide the ceiling equipment and improve the acoustics inside the cafe.”

Low-hanging ceiling pendants and recessed floor lights cast a soft scale of shadows between the wooden panels, and with similar colours used for the concrete screed floor and the counter’s black tile mosaic, the full spectrum is not unlike the warm shades of coffee on sale.

The cavernous design suits the café atmosphere and purpose: where groups of friends or individuals can retreat for a more private experience.

PARKLIFE

All Photography: Jeroen Musch.

No budget? No problem. De Noorderparkbar coffee bar in the Netherlands is made of various upcycled materials gathered through marktplaats – a Dutch ebay type auction website – and was made possible from a generous crowd-funding campaign.

Each piece of the design has a history: from the three rectangular units that have been stacked to create the L-shaped structure - originally intended to be a temporary hospital - to the wooden shutters – charred using an ancient Japanese technique called shou sugi ban, to increase their strength and lifespan.

Architects, Bureau SLA, and spatial designers, Overtreders W, were central to the project, involving themselves in fund-raising, trading, initialisation, building, as well as the unique ad-lib design of the building.

“It was impossible to make a final design beforehand, since what’s on offer at marktplaats.nl changes continuously," explained the design team. "Only after having bought a certain item, can one be sure that it’s usable, and then it has to be used.”

Some of the items gathered include 42 windows, thousands of metres of wood, 55 litres of paint, two toilets, and mixed green and white ceramic tiles.

What was achieved, then, is an impressively consistent design. What could have been the Frankenstein’s monster of mismatched parts is in fact a frugal and humble cabin that loses none of its charm through austerity - in fact, it only enhances the character. Eye-catching, modern, and natural, yes, but economically roguish and enigmatic.

The wooden shutters open the interior to the North Amsterdam park, and the thrifty use of various sized windows to make a patchwork partition mean this design really could not be replicated in any practical way.

Dutch linguists can read some of the tales behind the building's resources at www.hetkomtaltijdgoed.nl.

FUTURE IMPERFECT

All Photography, unless otherwise stated, by Marcus Buck.

Standing 31 metres tall, this sculpture in Georgia is intended as both a landmark and a message of intent for development in the new city of Lazika – proposed to be the nation’s second largest after the capital of Tbilisi.

Conceived by Knippers Helbig and created by J. MAYER H. Architects, the sculpture is built on a pier 100 metres out into the Black Sea and is made of 8mm steel plates. The white steel sheets are seemingly interlocked at strict right angles, though their curved shape adds to a more flowing geometry than is perhaps supposed.

The anarchic asymmetrical design is at odds with the regimented slatted structure: the diverse plate profiles are stacked on various horizontal planes, making the sense of depth at ground level staggering to the eye.

At night, the structure is illuminated from within by a pulsating light source – the wishfully imagined blood-flow to the city, perhaps.

Alas, the skeletal nature of the sculpture serves as an allegory for the wider, and often criticised, city plans: to this day Lazika lacks the flesh of any real development.

A BRIDGE TO BE SEINE

"Jump the Seine," Paris. Renderings: Charles Wallon for Airstudio; Photography: Sergio Grazia.

How do you get to work in the morning: drive, walk, ride, bounce? It is the intention of Parisian practice AZC to make the last option quite possible, with the concept of a bouncing bridge to span the river Seine.

Saut de Seine finally brings together the two disciplines of inflatable design and trampolining for the potentially soggy commute – or for pure leisure.

The 30 metre PVC buoys are lashed together – potentially forming a structure of any size – and each is inflated with 3,700 cubic metres of air. A trampoline mesh is stretched centrally across each unit, creating potentially the most unique of bridge crossings.

More than simple and childish fun, the design’s location offers the user views of the French capital and an affinity, particularly, with the city’s other great viewpoint: the Eiffel Tower.

“We think the superposition of these two works reveals a specific kind of architecture,” explained the design team, “one designed to install an experience of happiness in the city.”

Alas, the project has not yet been commissioned, though a prototype has been tested late last year that could yet see Parisians take temporarily, and often, to the skies.